Philosophical Drawings

Catalogue of Selected Drawings
The following catalogue is a selection of some of the drawings that are part of the Philosophical Drawings. There are over 1500 drawings in the series. Most of the drawings presented here drawings seem to me to have some aesthetic merit, regardless of the degree of "finish". But the choice is rather arbitrary, and I do not mean to exclude other drawings or to imply that drawings not included here have have no aesthetic merit, or to suggest that the drawings that are more complex or denser in imagery and style are therefore 'better'. This selection is subjective and not necessarily representative. It is intended merely to supply a viewer with a ready source to view a large enough selection of the the drawings to give a fair experience of the drawings without my explanatory text. My texts does not represent the mentality I was in when i did the drawings. Indeed, the written texts are deliberately not an effort to reflect that mentality. A major reason for writing the Philosophical Drawings is to explore all that has changed in my mentality since i did these drawings. I have made this catalogue to give a general idea of the Philosophical Drawings without my later interpretations and lengthy texts. But make no mistake: there is need of explanation. These are complex drawings and express art as a kind of knowledge, or rather, art as a kind of inquiry into the meaning of life. These drawing were questions. The world the represent is one that is highly transitory, however "eternal" their aspirations may seem to be. These drawings were meant to be compared to one another and further reflected on as time passed. Many of these drawings are inaccessible without some minimal explanatory text. Certainly they communicate something without such texts and looking at them without explanations is also valid. But I want these drawing to be accessible. But the interplay of present and past views of the world is largely what this book as a whole is about.. I do not want the meanings to be fixed and defined by the time in which they were done. I realize that allot of art history has a prejudice in favor of the time of accomplishment, as if the art historical moment were somehow truer than later interpretations or judgments. But I doubt this is true. Indeed, part of the reason for this book is to question this belief.
The drawings were done as part of a complex search for meaning in my own life and thus have a context that ties them to my present. They are not fixed in a frozen past that is now dead. They are living art and were made partly as a kind of questioning. In the essays that present the drawings I am answering some of the questions the drawings then posed for me. So the texts I write for the drawings is as much a part of the drawing as the lines of which the drawings are composed. I find this complex interplays of present and past views of reality very pregnant. I suppose, if they still survive after I die, the drawings and texts will become fossilized in some sort of meaning. But for me, now, they are living things, and they interact with my current self in very complex ways. So here I present over 150 of them without commentary. The majority of these drawings are discussed somewhere in the text.
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String of Language |
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![]() The Fire that Burns Through the World |
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The Earth |
Thier Painful Unveiling |
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All the Dead Held by Lovers in One Grasp |
As if voice were light, Cogito Ergo Sum |
Breathing Cloud Fire Flute |
Blinded by Word
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O Stone of Death |
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Sophia and Her Mad Lover (Layla and Majnun) |
O Stone of Death |
Poverty's Lover |
Care for the Dying
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Sisters of Rain |
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Questions and Answers from The Family of Sight |
Trying to Save this Dying Thing |
Ashes of the Ghost |
Lover Lost
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The Unjust Eye of Power |
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Dawn |
The Nameless One |
I Love Her from Head to Foot |
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Flowerladye |
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![]() Spring |
![]() View From Above the Garden |
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![]() Birth and death of the Poet |
![]() Within and Above, Without and Below |
At Lands Furthest End Now Resting and Remembering |
![]() Map of Wisdom in the water Book |
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![]() Invocation: Stairway of Silk and Wall of Blood |
![]() Caught and Struggling Against Nature's Inundations |
![]() Creation-Crucifixion |
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![]() The Single Eye Was a Pillar of Fire |
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Veil of Unansweered Thought |
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Out of the Cradle |
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![]() Knowledge |
![]() Evolution and the limits of Lanaugae |
![]() Water of the White Bird |
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![]() Glass Ear in a Sea of Milk |
The Fall (Tragic Veil) |
![]() Weaving her Hair into Sorrows |
![]() Brain on Fire in the Pupil of a Blind Poet's Eye |
![]() Veil of Unanswered Thought |
![]() Web Of Fire Energia, Material,Nihilo
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![]() History is the Last dying Breath of Everyman |
![]() Three Philosophers at the River of the Elephant |
![]() The River |
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Her Winged Antelope |
![]() Between the Tree of Animals and the Desert |
![]() The Temptation of St Anthony |
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![]() Revolving Will for Evolutionary Power |
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![]() The Rose Opens the Heeart |
![]() Vision of the Veil |
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![]() Dead Man's Memory |
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Where Green Grass is Burnished Gold |
![]() Faust's Suicide |
Two Worlds |
The life that Glows within Her |
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As Gentle as the Sea Beyond Understanding |
Split like a Clock |
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Her Song of Many Rains |
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Oracle |
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The Unexplainable Song of his Being |
She is Dead |
![]() Veil |
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Philosophical Drawings in Color
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Listening |
The Mask Maker in the Forest |
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Death game Cezanne's card players
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Night wishes |
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Pascal and the Abyss |
Gathering the Nightly Sea |
Self portrait: Swimming towards freedom |
Among the Red Birds
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Self Portrait; SpringDawn |
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Copyright © 2005-7 Mark Koslow.
All Rights Reserved.